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11th September 2014, 02:39 PM
Josie and the Pussycats: Blueprint of the Mind Control Music Industry Jan 3rd, 2011 | Category: Movies and TV (http://vigilantcitizen.com/category/moviesandtv/) |239 Comments (http://vigilantcitizen.com/moviesandtv/josie-and-the-pussycats-blueprint-of-the-mind-control-music-industry/#idc-container)
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“Josie and the Pussycats” is a “girl band movie” aimed at children and young adolescents, especially young girls. At first glance, the flick seems to be one of those generic, God-awful teen movies. However, a closer look reveals how its overall tone and message are in sharp contrast to stereotypes of the genre. “Josie and the Pussycats” is indeed an acerbic critique of a morally bankrupt music industry. The most surprising thing about this 2001 movie is its frighteningly accurate predictions regarding today’s pop music and its Illuminati agenda: mind controlled artists, hypnotized masses, subliminal messages… it’s all there. This article will examine the movie’s themes and their relation to today’s music business context.
http://i2.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/leadjosie1.jpg?zoom=2&resize=580%2C229 (http://i2.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/leadjosie1.jpg)
Josie and the Pussycats was released in 2001 by Universal. In music industry terms, 2001 is ancient history. Just to put you back in the context of the era: N’Sync were still singing Bye Bye Bye, Cisco wanted to see your thong-th-th-thong-thong-thong and everybody was wondering Who Let the Dogs Out. Teens were going crazy for boy bands like the Backstreet Boys and everybody was dancing to Ja Rule. So, yes, it was a long time ago.
Josie and the Pussycats came out during that period, but it seems to foretell the death of the era. The movie starts with members of the boy band “Du Jour,”a spoof on the Backstreet Boys, dying in a forced plane crash. The group is then replaced by a girl band with a semi-punky attitude and non-threatening pop rock music. This pretty much reflects what actually happened in the years following the release of this movie: N’Sync and the Backstreet Boys disappeared from the preteen music market and were replaced by Miley Cyrus, Hilary Duff, the Jonas Brothers, and so on.
http://i2.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/Jonas-Brothers-ta011-e1299865412473.jpg?zoom=2&resize=275%2C220 (http://i1.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/Jonas-Brothers-ta011.jpg)The Jonas Brothers’ semi-punky attitude and non-threatening pop rock music replaced the Backstreet Boys. They’re the male Josie and the Pussycats. Despite the movie’s apparent lightheartedness, it displays a harsh and sustained judgment of the music business. It is also severely critical of the state of America’s youth. Teens and preteens are constantly depicted as a herd of brainless drones who are incapable of independent thinking and prone to hysteria.
http://i2.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/josie31-e1299865444399.jpg?zoom=2&resize=450%2C238 (http://i0.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/josie31.jpg)Preteens going crazy for the latest manufactured pop sensation. But behind the usual “OMG these big corporations are so corporation-y” criticism, Josie and the Pussycats tackles, in an odd and humorous way, some of the darker sides of the music industry. These include the mind control of the masses and entertainers, and even the assassination of artists who rebel or ask too many questions.
The Boy Band That Knew Too Much As stated above, the movie starts with Du Jour (the boy band “of the day”) enjoying their enormous success. In their private jet, the vain and half-witted group of singers complain about petty things to their record executive Wyatt, who acts more like a legal guardian. Or, in mind control terms, a handler.
The band then asks Wyatt about strange sounds they heard in the acapella tracks of their latest song… and they want some answers.
http://i2.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/josie15-e1299865500831.jpg?zoom=2&resize=450%2C242 (http://i1.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/josie15.jpg)Du Jour asking their exec Wyatt the purpose of the weird background tracks found on their latest song. Wyatt’s answer is quite extreme, for he and the plane’s pilot strap on parachutes and jump off, leaving Du Jour to die in what is afterwards called an “accidental” plane crash. This has actually happened in reality numerous times. Artists who start uncovering the darker side of the entertainment business, who ask too many questions, or worse, who plan to reveal these things to the public, are often dropped, publicly humiliated and scorned. And, as in Du Jour’s case, they are also sometimes killed for displaying such behavior.
Mega Records Du Jour was signed with the world’s biggest record label, Mega Records. We soon learn that the company is much more than a record label.
Mega Records is, in fact, “in business” with the American government and the FBI to brainwash the “most influential demographic in the entire population”: the youth. While giving a tour of the label’s headquarters to visitors from foreign countries (who are there to learn how it’s done), Fiona, the eccentric CEO of Mega Records, has this to say:
“I’m sure you’re wondering why agent Kelly and the United States government would be so interested in what appears to be a record company. Well, I’m about to show you why.”
Fiona’s office then turns into an elevator and starts descending into a secret underground facility.
http://i2.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/josie51-e1299865534686.jpg?zoom=2&resize=450%2C236 (http://i2.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/josie51.jpg)Fiona, the CEO of Mega Records, giving a tour of the secret underground headquarters of the label. The label’s headquarters is, in fact, a control center for manipulating the minds of the American youth. It creates new fads, decides everything from “what clothes are in style to what slang is in vogue,” with the ultimate goal of making the youth continually spend money on one temporary trend after another.
Reality is, of course, more complex than that. Trends are (probably) not created in an underground control center in New York City. There is however truth in this near-cartoonish depiction of the music business. The entertainment industry is indeed connected to “higher powers” (as personified in the movie by the FBI agent) in order to sell the youth on the economic elite’s agenda. Popular culture not only attempts to sell products and brands to the audience, but also ideas, values and attitudes. In previous articles on the Vigilant Citizen (http://vigilantcitizen.com), we have established that today’s agenda focuses on concepts such as transhumanism, Illuminati symbolism, premature sexualization, police state/militarization, and so forth.
Continuing her tour, Fiona says:
“But how, you may ask, can our operation be so effective? Sure these kids have brains like play dough, just waiting to be molded into shape, but something else must be going on, right?”
Fiona then explains that her label inserts subliminal messages in pop music in order to manipulate the youth into buying products and ideas. The label thus goes beyond the simple advertising of products. It conceals hidden messages in the music that bypass the audience’s conscious minds in order to directly reach their subconscious.
After the presentation, a foreigner asks Fiona “How can you control the rock bands? What if one of them discovers you are placing hidden messages in their music?” This is what she answers:
“Ever wonder why so many rock stars die in plane crashes? Overdosed on drugs? We’ve been doing this a long time. If they start to get too curious, our options are endless. Bankruptcies… shocking scandals… religious conversions!”
There are numerous real life examples of celebrities who have been silenced, one of the most shocking and evident being Michael Jackson. After decades of being controlled by the entertainment business, he attempted to break free in the late 90s. He even spoke out about it (see the article “When Insiders Reveal the Ugly Side of the Entertainment Business (http://vigilantcitizen.com/vigilantreport/when-insiders-expose-the-ugly-side-of-the-entertainment-industry/)“). He then endured years of scandals, trials, public ridicule and financial difficulties. Michael Jackson still managed to keep singing and dancing, even organizing a world tour for 2010. Since previous attempts to destroy him failed, MJ got silenced… by force. So, it would seem that ten years after the release of this movie, shady celebrity sacrifices are still happening.
New 3D Technology In an attempt to “take things to the next level,” Mega Records develops a new technology called “3DX Surround Sound.” This new technology “makes the music feel like it is happening all around you.” All the kids who attend Josie and the Pussycat concerts or watch them on TV have to purchase this headgear in order to hear the music.
http://i1.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/josie61-e1299865589489.jpg?zoom=2&resize=450%2C235 (http://i1.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/josie61.jpg)Hypnotized, mind controlled teens testing the new 3DX Technology in a Mega Records lab. Note that the girl in the middle is a “free thinker” that got kidnapped by the label in order to have experiments conducted on her. Back in real life, we are seeing the commercialization of a very similar technology…
http://i2.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/ifa-technology-fair1-e1299865641481.jpg?zoom=2&resize=450%2C299 (http://i0.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/ifa-technology-fair1.jpg)3D glasses are today’s hottest trend. They are required to view 3D movies, TV shows and video games. Will this 3D technology bring new brainwashing possibilities? You betcha! Josie and the Pussycats: From Nobodies to Sex Kittens Programming Stars After the killing of Du Jour, record exec Wyatt is instructed to find a new band as soon as possible. The movie makes it clear that talent is absolutely irrelevant. The label just needs a good-looking group and it will take care of the rest. Then we are introduced to The Pussycats… and their lack of fans.
http://i2.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/josie21-e1299865680807.jpg?zoom=2&resize=450%2C236 (http://i0.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/josie21.jpg)The Pussycats performing in a bowling alley, with nobody listening to them. Most overnight successes start from humble beginnings, until the industry takes them, changes them and sells them to the public. The rock band comprises three young ladies who wear leopard ears as a prop. It is quite obvious that nobody wants to hear their music and even their manager Alexander doesn’t seem to like it.
After hearing about Du Jour’s plane crash on television, The Pussycats leader, Josie, is motivated to “get out there” and obtain a record contract. At the same time, Wyatt is driving around in the small town of Riverdale, looking for a band to sign. Then it happens.
http://i2.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/josie41-e1299865710140.png?zoom=2&resize=450%2C236 (http://i2.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/josie41.png)
Share269 Tweet23 12 Email4 Share346
“Josie and the Pussycats” is a “girl band movie” aimed at children and young adolescents, especially young girls. At first glance, the flick seems to be one of those generic, God-awful teen movies. However, a closer look reveals how its overall tone and message are in sharp contrast to stereotypes of the genre. “Josie and the Pussycats” is indeed an acerbic critique of a morally bankrupt music industry. The most surprising thing about this 2001 movie is its frighteningly accurate predictions regarding today’s pop music and its Illuminati agenda: mind controlled artists, hypnotized masses, subliminal messages… it’s all there. This article will examine the movie’s themes and their relation to today’s music business context.
http://i2.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/leadjosie1.jpg?zoom=2&resize=580%2C229 (http://i2.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/leadjosie1.jpg)
Josie and the Pussycats was released in 2001 by Universal. In music industry terms, 2001 is ancient history. Just to put you back in the context of the era: N’Sync were still singing Bye Bye Bye, Cisco wanted to see your thong-th-th-thong-thong-thong and everybody was wondering Who Let the Dogs Out. Teens were going crazy for boy bands like the Backstreet Boys and everybody was dancing to Ja Rule. So, yes, it was a long time ago.
Josie and the Pussycats came out during that period, but it seems to foretell the death of the era. The movie starts with members of the boy band “Du Jour,”a spoof on the Backstreet Boys, dying in a forced plane crash. The group is then replaced by a girl band with a semi-punky attitude and non-threatening pop rock music. This pretty much reflects what actually happened in the years following the release of this movie: N’Sync and the Backstreet Boys disappeared from the preteen music market and were replaced by Miley Cyrus, Hilary Duff, the Jonas Brothers, and so on.
http://i2.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/Jonas-Brothers-ta011-e1299865412473.jpg?zoom=2&resize=275%2C220 (http://i1.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/Jonas-Brothers-ta011.jpg)The Jonas Brothers’ semi-punky attitude and non-threatening pop rock music replaced the Backstreet Boys. They’re the male Josie and the Pussycats. Despite the movie’s apparent lightheartedness, it displays a harsh and sustained judgment of the music business. It is also severely critical of the state of America’s youth. Teens and preteens are constantly depicted as a herd of brainless drones who are incapable of independent thinking and prone to hysteria.
http://i2.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/josie31-e1299865444399.jpg?zoom=2&resize=450%2C238 (http://i0.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/josie31.jpg)Preteens going crazy for the latest manufactured pop sensation. But behind the usual “OMG these big corporations are so corporation-y” criticism, Josie and the Pussycats tackles, in an odd and humorous way, some of the darker sides of the music industry. These include the mind control of the masses and entertainers, and even the assassination of artists who rebel or ask too many questions.
The Boy Band That Knew Too Much As stated above, the movie starts with Du Jour (the boy band “of the day”) enjoying their enormous success. In their private jet, the vain and half-witted group of singers complain about petty things to their record executive Wyatt, who acts more like a legal guardian. Or, in mind control terms, a handler.
The band then asks Wyatt about strange sounds they heard in the acapella tracks of their latest song… and they want some answers.
http://i2.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/josie15-e1299865500831.jpg?zoom=2&resize=450%2C242 (http://i1.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/josie15.jpg)Du Jour asking their exec Wyatt the purpose of the weird background tracks found on their latest song. Wyatt’s answer is quite extreme, for he and the plane’s pilot strap on parachutes and jump off, leaving Du Jour to die in what is afterwards called an “accidental” plane crash. This has actually happened in reality numerous times. Artists who start uncovering the darker side of the entertainment business, who ask too many questions, or worse, who plan to reveal these things to the public, are often dropped, publicly humiliated and scorned. And, as in Du Jour’s case, they are also sometimes killed for displaying such behavior.
Mega Records Du Jour was signed with the world’s biggest record label, Mega Records. We soon learn that the company is much more than a record label.
Mega Records is, in fact, “in business” with the American government and the FBI to brainwash the “most influential demographic in the entire population”: the youth. While giving a tour of the label’s headquarters to visitors from foreign countries (who are there to learn how it’s done), Fiona, the eccentric CEO of Mega Records, has this to say:
“I’m sure you’re wondering why agent Kelly and the United States government would be so interested in what appears to be a record company. Well, I’m about to show you why.”
Fiona’s office then turns into an elevator and starts descending into a secret underground facility.
http://i2.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/josie51-e1299865534686.jpg?zoom=2&resize=450%2C236 (http://i2.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/josie51.jpg)Fiona, the CEO of Mega Records, giving a tour of the secret underground headquarters of the label. The label’s headquarters is, in fact, a control center for manipulating the minds of the American youth. It creates new fads, decides everything from “what clothes are in style to what slang is in vogue,” with the ultimate goal of making the youth continually spend money on one temporary trend after another.
Reality is, of course, more complex than that. Trends are (probably) not created in an underground control center in New York City. There is however truth in this near-cartoonish depiction of the music business. The entertainment industry is indeed connected to “higher powers” (as personified in the movie by the FBI agent) in order to sell the youth on the economic elite’s agenda. Popular culture not only attempts to sell products and brands to the audience, but also ideas, values and attitudes. In previous articles on the Vigilant Citizen (http://vigilantcitizen.com), we have established that today’s agenda focuses on concepts such as transhumanism, Illuminati symbolism, premature sexualization, police state/militarization, and so forth.
Continuing her tour, Fiona says:
“But how, you may ask, can our operation be so effective? Sure these kids have brains like play dough, just waiting to be molded into shape, but something else must be going on, right?”
Fiona then explains that her label inserts subliminal messages in pop music in order to manipulate the youth into buying products and ideas. The label thus goes beyond the simple advertising of products. It conceals hidden messages in the music that bypass the audience’s conscious minds in order to directly reach their subconscious.
After the presentation, a foreigner asks Fiona “How can you control the rock bands? What if one of them discovers you are placing hidden messages in their music?” This is what she answers:
“Ever wonder why so many rock stars die in plane crashes? Overdosed on drugs? We’ve been doing this a long time. If they start to get too curious, our options are endless. Bankruptcies… shocking scandals… religious conversions!”
There are numerous real life examples of celebrities who have been silenced, one of the most shocking and evident being Michael Jackson. After decades of being controlled by the entertainment business, he attempted to break free in the late 90s. He even spoke out about it (see the article “When Insiders Reveal the Ugly Side of the Entertainment Business (http://vigilantcitizen.com/vigilantreport/when-insiders-expose-the-ugly-side-of-the-entertainment-industry/)“). He then endured years of scandals, trials, public ridicule and financial difficulties. Michael Jackson still managed to keep singing and dancing, even organizing a world tour for 2010. Since previous attempts to destroy him failed, MJ got silenced… by force. So, it would seem that ten years after the release of this movie, shady celebrity sacrifices are still happening.
New 3D Technology In an attempt to “take things to the next level,” Mega Records develops a new technology called “3DX Surround Sound.” This new technology “makes the music feel like it is happening all around you.” All the kids who attend Josie and the Pussycat concerts or watch them on TV have to purchase this headgear in order to hear the music.
http://i1.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/josie61-e1299865589489.jpg?zoom=2&resize=450%2C235 (http://i1.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/josie61.jpg)Hypnotized, mind controlled teens testing the new 3DX Technology in a Mega Records lab. Note that the girl in the middle is a “free thinker” that got kidnapped by the label in order to have experiments conducted on her. Back in real life, we are seeing the commercialization of a very similar technology…
http://i2.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/ifa-technology-fair1-e1299865641481.jpg?zoom=2&resize=450%2C299 (http://i0.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/ifa-technology-fair1.jpg)3D glasses are today’s hottest trend. They are required to view 3D movies, TV shows and video games. Will this 3D technology bring new brainwashing possibilities? You betcha! Josie and the Pussycats: From Nobodies to Sex Kittens Programming Stars After the killing of Du Jour, record exec Wyatt is instructed to find a new band as soon as possible. The movie makes it clear that talent is absolutely irrelevant. The label just needs a good-looking group and it will take care of the rest. Then we are introduced to The Pussycats… and their lack of fans.
http://i2.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/josie21-e1299865680807.jpg?zoom=2&resize=450%2C236 (http://i0.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/josie21.jpg)The Pussycats performing in a bowling alley, with nobody listening to them. Most overnight successes start from humble beginnings, until the industry takes them, changes them and sells them to the public. The rock band comprises three young ladies who wear leopard ears as a prop. It is quite obvious that nobody wants to hear their music and even their manager Alexander doesn’t seem to like it.
After hearing about Du Jour’s plane crash on television, The Pussycats leader, Josie, is motivated to “get out there” and obtain a record contract. At the same time, Wyatt is driving around in the small town of Riverdale, looking for a band to sign. Then it happens.
http://i2.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/josie41-e1299865710140.png?zoom=2&resize=450%2C236 (http://i2.wp.com/vigilantcitizen.com/wp-content/uploads/2011/01/josie41.png)