PDA

View Full Version : Nightmare Before Christmas = Jewish Envy and Destruction?



ShortJohnSilver
30th November 2015, 12:49 AM
OK so Nightmare Before Christmas is a movie by Tim Burton (Jew of course), animated in stop-motion animation.

Here is a plot summary taken from IMDB:

====

Pumpkin king Jack Skellington (speaking voice Chris Sarandon, singing Danny Elfman), an elegantly attenuated skeleton, has delivered another scary Halloween. But he receives the adulation of Halloweentown with no enthusiasm -- something is missing from Jack's life and he's tired of doing the same old Halloween thing year after year. The missing something might well be Sally (Catherine O'Hara), an animated rag doll who yearns for Jack, but he doesn't notice. (Sally was created by Halloweentown's evil scientist (William Hickey), who keeps her locked up except when she knocks him out by slipping deadly nightshade in his soup.)

After pondering his ennui in a cemetery (disturbing Sally, who's replenishing her supply of deadly nightshade), Jack takes his ghostly dog Zero for a walk in the woods. They come upon a strange circle of trees, each with a door representing a holiday. Jack opens the Christmas door and they're sucked in, landing in Christmastown. Jack is curious about everything he sees there, but finds it all delightful and wants to be part of it.

Back in Halloweentown Jack calls a town meeting, where he describes what he saw in Christmastown. His people don't seem very impressed, so to draw them in, he makes some elements of Christmas -- including "Sandy Claws" (Edward Ivory) -- sound scary. Then he announces that they're taking over Christmas and starts assigning jobs. The evil scientist must whip up some reindeer, Halloweentown's top trick-or-treaters are to kidnap Sandy Claws, and Sally's task is to make Jack a red Santa suit. She tries to tell him that co-opting Christmas is a terrible idea, but he's too wrapped up in his enthusiasm to listen.

The three trick-or-treaters return triumphantly with the Easter Bunny; Jack sends them back and eventually they bring him Sandy Claws (who surprises Jack by having hands rather than claws). Jack directs the trick-or-treaters to take Sandy Claws away and make him comfortable, but they give him to Oogie Boogie (Ken Page) instead.

Meanwhile, Sally has produced a red suit (without a hat, so Jack steals Sandy's) and the evil scientist's skeletal reindeer are hitched to a sleigh full of creepy toys. Sally tries to sabotage his Christmas Eve delivery by adding fog juice to the town well, and it almost works. But the spectral dog Zero, who happens to have a glowing nose, comes to the rescue. Sally deduces that only Sandy Claws will be able to help Jack now, and sneaks into Oogie Boogie's lair in an effort to free him.

Jack sets off in his sleigh, but he doesn't really get Christmas -- his idea of a keen gift for a small child is a shrunken head or a toy duck with sharp teeth that chases its owner -- so he spreads terror and mayhem at every house he visits. He ends up being blown up out of the sky by the terrified populace. Realizing both his mistake and his desire to be the best pumpkin king he can be, he goes back to Halloweentown to find Sandy Claws and set Christmas right.

He surprises Oogie Boogie, frees Sally and Sandy Claws, and unravels Oogie Boogie in a decisive final showdown. Santa Claus scolds Jack about trying to take over a holiday that isn't his, and then sets about magically saving Christmas. Jack and Sally return to town just as Santa Claus flies over and offers the Halloweentownsfolk a bit of Christmas magic: their first snowfall. Jack and Sally share a tender moment in the cemetery, realizing they were always meant to be together.

=====

What seems to me, is that this is nothing less than Jewish envy and destruction.

Never mind the destruction of Christian and White symbols, it is simply this: the Jews live in the culture of Halloween-Town, while Christians live in Christmas-Town. And Christians are hated for it.

A clip : https://www.youtube.com/watch?v=Z7uJMyPOBGA

Curious what others think?

Jewboo
30th November 2015, 11:47 AM
https://www.youtube.com/watch?v=iy9ha3qLU8Y


Jew cartoon children's movie to "celebrate" the birth of Christ = Christmas










http://somethingsensitive.com/Smileys/default/jew.gif THEY OWN DISNEY NOW

Glass
1st December 2015, 01:09 AM
Baphomet, virgin child sacrifice, fire sacrifice, coffin (organ), what more could you want.


https://www.youtube.com/watch?v=o56dxsXSrLo

There's probably plenty more in there I don't pickup. The dual globe lamp looks interesting.

govcheetos
1st December 2015, 07:53 PM
Baphomet, virgin child sacrifice, fire sacrifice, coffin (organ), what more could you want.


https://www.youtube.com/watch?v=o56dxsXSrLo

There's probably plenty more in there I don't pickup. The dual globe lamp looks interesting.

Something to do with the twins, they're wearing black and white as well. Just my 2 zinc pennies.

govcheetos
1st December 2015, 07:58 PM
As to the OP, If you just look, most things in the media, and retail advertising are very anti-Christian, or at least promote all the pagan symbols over anything to do with Christ. If they do mention Christ is in an off handed and tongue and cheek cheap shot.

Maybe Christians should take up celebrating Jesus's birthday in September like in the good old days?

ShortJohnSilver
2nd December 2015, 10:27 PM
OK... so not having seen the movie in full before, I caught it on Netflix...

Basically, running it through my Jew-decoder, there are some themes:

1. Every holiday is as valid as every other one. Thus Halloween (a celebration of the dead or spirits, however you want to phrase it) is as valid/equal as Christmas (birth of Jesus Christ, which is not even covered in the movie, just Santa Claus, who is never given his real name of St. Nicholas). i.e. minimization of Christmas.

2. Conflation of living/dead - Jack Skellington the Pumpkin King of Halloween is already dead, his girlfriend at the end of the movie is a created doll/woman. Meanwhile those in the real world and in Christmas Town are living. Yet this is continually conflated, mixed up, however you want to phrase it; make of it what you will.

3. There seems to be some tacit admission (assuming "Jack and Halloween Town = Jews" and Christmas Town and the real world have Christians) that Jews are inferior; no one in Halloween Town other than Jack, can understand what Christmas is about. There is the typical, schizoid-like "split" of "we're the best / we're the worst" - you know, Jewish neuroticism is on display.

4. The songs, virtually without exception, are hokey and bland. For something that is as music-heavy as this film is, it is mediocre show-tune or Tin Pan Alley quality. Who is doing the tunes, direction, etc.? All Jews.

PatColo
22nd December 2015, 10:05 PM
http://renegadetribune.com/wp-content/uploads/2015/12/1401x788-DF-11957_11901_r-800x445.jpg


(http://renegadetribune.com/the-jewish-war-on-christmas/)
(http://renegadetribune.com/the-jewish-war-on-christmas/) The Jewish War on Christmas (http://renegadetribune.com/the-jewish-war-on-christmas/)

December 22, 2015 (http://renegadetribune.com/the-jewish-war-on-christmas/) Lasha Darkmoon (http://renegadetribune.com/author/darkmoon/) 8 Comments (http://renegadetribune.com/the-jewish-war-on-christmas/#comments)
By Kevin MacDonald (http://www.theoccidentalobserver.net/author/kmac/)

Pictures, captions and comments by Lasha Darkmoon (http://www.theoccidentalobserver.net/2015/12/yes-virginia-the-jews-stole-christmas/) | Source

(http://www.theoccidentalobserver.net/2015/12/yes-virginia-the-jews-stole-christmas/)
Kevin MacDonald notes, “Originally posted in 2012, this article gets at the Jewish ethnic angle behind the ‘War on Christmas.’”



https://www.darkmoon.me/uploads/immagine116.jpg.pagespeed.ce.26M3yRe5eg.jpg



IF JESUS WERE BORN TODAY,
MARY AND JOSEPH WOULD BE IN DEEP TROUBLE



LD: This controversial cartoon, published in the Guardian in December 2011, caused outrage among British Jews who accused the Guardian’s Christian columnist Phoebe Greenwood of “demonizing Israel” by conflating Jesus and his family with “oppressed Palestinians”. Adam Levick says angrily: “The morally obscene charge (http://ukmediawatch.org/2011/12/23/how-the-jews-steal-christmas-ugly-guardian-story-evokes-jesus-as-an-oppressed-palestinian/)is that, if Christ, Mary and Joseph were all alive today, they’d be persecuted by the Jewish state. The indisputable fact, however, is that Israel remains the sole nation in the Middle East where Christians thrive and worship freely.” Odd that Mr Levick should say that, given that Christians in Jerusalem want Jews to stop spitting on them (http://www.haaretz.com/christians-in-jerusalem-want-jews-to-stop-spitting-on-them-1.137099). [LD]

KEVIN MACDONALD writes: A new book, Joshua Eli Plaut’s A Kosher Christmas: ’Tis the Season to Be Jewish (http://www.amazon.com/Kosher-Christmas-Tis-Season-Jewish/dp/0813553806), documents what we have known all along: The Jews did indeed subvert Christmas. This book deserves a full review, but Ethan Schwartz’s summary and comment (“Twas the night after Christmas (http://www.jewishideasdaily.com/5633/features/twas-the-day-after-christmas/)“) deserve scrutiny. First the summary:




Jews have been the vanguard of an effort to “transform Christmastime into a holiday season belonging to all Americans,” without religious exclusivity. The most important Jewish mechanisms of secularization are comedy and parody, for laughter undermines religious awe. Take, for example, Hanukkah Harry from “Saturday Night Live”, who heroically steps in for a bedridden Santa by delivering presents from a cart pulled by donkeys named Moishe, Hershel, and Shlomo. Remarkably, Hanukkah Harry has emerged as a real Santa-alternative for many American Jews.


Plaut sees such things not as attempts at assimilation but as an intentional subversion of Christmas traditions. “Through these parodies,” he writes, “Jews could envision not having to be captivated by the allure of ubiquitous Christmas symbols.” And it isn’t just Jews: for Americans in general, Jewish parody helps ensure that Christmas “not be taken too seriously” and that the celebrations of other traditions “be accorded equal respect and opportunity.”




There seem to be two messages here. One is the message of subversion utilizing ridicule among other methods. The other is that Jews are seen as high-mindedly making Christmas “into a holiday season belonging to all Americans.” The end result is that Christmas is not “taken too seriously” and the Christian religious aspect central to the traditional holiday is de-emphasized.


more: http://renegadetribune.com/the-jewish-war-on-christmas