http://archive.4plebs.org/pol/thread/63647222
Kiangz!
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Printable View
Good ol Billy SpearShaker. I can't remember the name of the guy who wrote the Bill Shakers material. Was a prominent person but might have been a mincer.
Bacon.... that's the one. Francois de Pork.
We Wuz Inventorz
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We Taught da World How to Bathe n Sheeit
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We Startin America Man!
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We Wuz Lincoln
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They can have Lincoln.
Old Hickory is still white !
February 19, 2016 We Don’t Need White Approval: Why the Oscars and Grammys Don’t Appreciate Black Art
by Lawrence Ware by
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Racism is a white problem. Yes, the nature of racism and the system of white supremacy is such that sun kissed populaces often experience the underside of the American democratic experiment, but, I maintain, racism is a white problem.
Those accustomed to white supremacy are terrified by black political and cultural self-sufficiency. Part of what made the Black Panthers so terrifying was their lack of interest in what white folks thought of what they said or how they lived. A sure way to become divisive is to live in a way that centers blackness, not whiteness. What is ironic about this fear is that individuals who pushed back against white supremacy are the ones that moved America toward actualizing her ideals.
Black folks advocating for the right to vote, to attend a desegregated school, to overcome housing segregation were all doing a service to this democratic experiment. Black Americans are a major part of why America has the potential to be great. You can have Abraham Lincoln and George Washington, give me Stokely Carmichael and Ella Baker. Some of the greatest Americans have been black men and women advocating and agitating for their rights. Yet, despite this truth, many today engage in practices that center whiteness.
When we need the approval and validation of the dominant group in order for us to see our own work as valuable and worthy, we engage in a vicious form of internalized racism—one that centers whiteness even as we engage in the subversive work of expressing black brilliance.
This begs the question: Do we have the ability to live free of white supremacist thinking? Can we see and appreciate black beauty without the oppressive lens of euro-normativity filtering our gaze? Are we able to validate achievement without whiteness as the standard for excellence?
Of late, much attention has been paid to the racial homogeneity of the Academy Awards. For the second year in a row, the nominees in the major acting categories have been all white. There are calls to boycott the Oscars, and the hashtag #OscarsSoWhite has been trending now for months. This is reminiscent of a few years ago when there was outrage over Macklemore’s The Heist sweeping the rap category at the 2014 Grammy Awards. Many were critical of the Grammys because Kendrick Lamar’s beautiful, polyvalent Good kid, M.A.A.D. City was largely ignored.
This did not surprise me. There is historical precedent of white folks being celebrated for appropriating black culture. That’s why Elvis Presley is honored and not Big Mamma Thornton. That’s why Led Zeppelin is celebrated while Muddy Waters and Willie Dixon are largely forgotten. That’s why the Beach Boys’s Surfin USA is cherished and Chuck Berry’s Sweet Sixteen is barely remembered. Most white Americans want a black sound and black culture without actual black people.
Too often we sit at the door of White America asking them to recognize us. We perpetually celebrate the first of us that white folks allowed to hold a position. We are consistently outraged when white institutions do what they were created to do and marginalize people of color. We constantly demean and ghettoize the NAACP Image Awards, the BET Awards, and other spaces that have historically made room for and celebrated black brilliance.
When you convey more worth to white access and recognition than you do to black affirmation, you participate in your own oppression. We need to support, protect, and prioritize those spaces that celebrate our blackness, not award shows that tokenize our culture.
At the 2016 Grammy Awards, Kendrick Lamar’s To Pimp a Butterfly was recognized five times, but Taylor Swift’s catchy, yet shallow 1989 garnered her second Grammy for Album of the Year. While I’m happy for him, we should never use a white standard of excellence to assess black talent. TPAB, like Beyonce’s “Formation”, was not made for white people—and I do not expect White institutions to celebrate it.
I am reminded of the words W.E.B. Du Bois wrote to eulogize the brilliant scientist Carter G. Woodson: “No white university ever recognized his work; no white scientific society ever honored him. Perhaps this was his greatest honor.” When white institutions fail to appreciate the work of black folks, we should not be outraged. We should consider it an honor.
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Lawrence Ware is a professor of philosophy and diversity coordinator for Oklahoma State University’s Ethics Center. He can be reached at: Law.writes@gmail.com.
More articles by:Lawrence Ware
Brilliant scientist, had to look that up...Quote:
I am reminded of the words W.E.B. Du Bois wrote to eulogize the brilliant scientist Carter G. Woodson: “No white university ever recognized his work; no white scientific society ever honored him. Perhaps this was his greatest honor.” When white institutions fail to appreciate the work of black folks, we should not be outraged. We should consider it an honor.
https://en.wikipedia.org/wiki/Carter_G._Woodson
He doesn't appear to have discovered anything. He was a negro historian, certainly accomplished since he became the 2nd black professor in USA. He started Negro History Week in 1926, which has devolved into Black History Month. But I suppose in a race were mediocrity is the standard, a somehow accomplished and outspoken individual, becomes a 'brilliant scientist'.
I would love to see stargates come back. What can we do to help?
Also, why can't there be entertainment awards specifically for these artists? I thought there already was. I think there should be. And Judges.
They are already doing a great job teaching their daughters how to be queens, welfare queens!Quote:
Teach our daughters they are queens
We Wuz Romans
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I made this one myself:
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take a bunch of pictures from the Gods must be Crazy. Truenuff FACT Bro.
I didn't see a beard on that one with the head fro. Whats up with that? Where did their beard growing ability go. Long flowing beards, maybe with plats or some kind of weave.
Yes Roger Ramjet lived many aeons ago in the times of the Kemmetians . But he was also not a Yankee Doodle Dandy. Helicopters were everywhere, Black Helicopters. And Boats, nice fast sexy speed boats.
Who invented TwitZar and Facebooks?
and so so much more.
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If she's so fucking awesome then why are black guys wanting white chicks??
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and why is she dressed from the 1970's with nylons, high healed shoes, earings made from bakelite, a corset invented by the French.... or maybe the Cretians. 2000BC.
She has all the phenotypes? How did we aquire those? There was a study on that wasn't there. That women pick up and keep genetic material from all intimate relations which then is passed on to each child? I think that was the story.
But anyway, ridiculous but as we know, beliefs are extremely dangerous. Billions have been slaughtered because of beliefs alone.
Lost Tribes of Ghana: “We Kikes Now”
https://www.youtube.com/watch?v=Y8ThAwcYJjE
New historical British show paid for by British taxpayers portrays Queen Anne as Black.
https://www.youtube.com/watch?v=W0kO-pVsc3E
WE WUZ QUEENZ
Heimdall the Nordic God as portrayed by the Jews...
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We Wuz GODZ
http://global.britannica.com/topic/Heimdall
In Norse mythology, the watchman of the gods. Called the shining god and whitest skinned of the gods...
Jew-Negress Playing 15th Century Queen of England in BBC Shakespeare Production
Andrew Anglin
Daily Stormer
April 23, 2016
BBC has produced a new drama based on the works of Shakespeare entitled “The Hollow Crown.”
Interestingly, the character of Henry VI’s blonde wife, Queen Margaret, will be played by the half-Jew Negress Sophie Okonedo.
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Sophie Okonedo
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Queen Margaret
This replacement of Whites in film is now an extremely popular trend. And yet, non-Whites are never replaced by Whites – in the very few cases where they are, the White is made to look like a non-White, such as Johnny Depp playing the Indian in the Lone Ranger.
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we wuz indijuhnus
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Mixed martial arts fighter Kimbo Slice dies at 42
BY
CHRISTOPHER BRENNAN
NEW YORK DAILY NEWS
Updated: Tuesday, June 7, 2016, 12:37 AM
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Mixed martial arts fighter Kimbo Slice has died at 42.
The heavyweight's promotion company Bellator confirmed the death on Monday night, saying that the Bahamas-born bruiser was "one of the most popular MMA fighters ever."
"Kimbo was a charismatic, larger-than-life personality that transcended the sports," Bellator president Scott Coker said in a statement.
Slice, whose real name was Kevin Ferguson, was taken to Northwest Medical Center near his home in Coral Springs, Fla., on Monday evening, the city's police confirmed to the Daily News.
Details are still thin on how the fighter died. Coral Springs Police Department's' Sgt. Carla Kmiotek told the News that there was no police investigation into the incident and that it had been a "medical issue."
Slice first rose to fame when his unsanctioned South Florida street brawls made him a popular search on YouTube during the site’s early days.
The 6-foot-2, 232-pound fighter then spent time in the Ultimate Fighting Championship promotion company, before taking a break from MMA that included boxing and an acting stint in 2012's "The Scorpion King 3."
Kimbo Slice, the Miami streetfighting legend who became a heavyweight sensation in MMA, died Monday, June 6. He was 42.
Slice joined up with Bellator in 2015 and improved his MMA record to 5-2 with a win last year. He won his last bout against Dhafir "Dada 5000" Harris in February, though the heavyweight tested positive for steroids and the result was overturned to a no-contest.
Reporter claims UFC banned him for life after scoops on fights
Before his death, he had been scheduled to fight James Thompson in London on July 16.
Colleagues and fans of Slice's ferocious style paid tribute to the fighter on Monday night.
Slice made his name in South Florida street fights before entering the professional arena. (JON P. KOPALOFF/GETTY IMAGES)
Coker said that "outside of the cage he was a friendly, gentle giant and a devoted family man."
American Top Team, which claimed him as one of its fighters, said that he was devoted to providing for his six children.
"The ATT Family and South Florida community lost a legend today. RIP Kimbo," it said on Twitter.
Ken Shamrock, who Slice beat last year, said, "We battled inside the cage, warrior vs warrior. Outside the have loved ones. REST IN PEACE KIMBO SLICE. May God Watch Over You."
http://www.nydailynews.com/sports/mo...icle-1.2663701